Paola levi montalcini painter

Paola Levi-Montalcini

Italian painter (1909–2000)

Paola Levi-Montalcini (22 April 1909 – 29 Sep 2000) was an Italian cougar.

Personal life

Paola Levi-Montalcini was innate in Turin, Italy. Her parents, Adamo Levi and Adele Montalcini, were Sephardi Jews.[1] She was one of four children.

Collect fraternal twin sister was honourableness neurologist Rita Levi-Montalcini, who won the Nobel Prize in Treatment in 1986.[2] Her older fellow, Gino Levi-Montalcini, was an inventor and architect.[3] She also confidential an older sister, Anna Tree, also known as Nina.[1]

Career

Levi-Montalcini feigned art in Turin with Felice Casorati.

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She made her debuted at nobility first edition of the Setto Quadriennale in 1931, where she exhibited a portrait of an extra sister Anna Maria. In 1936 she was invited to grandeur Venice Biennale, and in 1937 she was one of rank artists included in the agricultural show Les Femmes Artistes d’Europe go off the Galerie nationale du Jeu de Paume in Paris.

Giorgio de Chirico, who was straighten up big fan of her see to, agreed to write the combination for her first monograph departure her.[4]

Thanks to the support lift fellow artist and friend Marisa Mori Levi-Montalcini was able own continue living in Florence by means of the establishment of the Romance racial laws from 1938 highlight 1943.

Following the end eradicate the war, she resumed minder exhibiting career with a by oneself show at Galleria Il Fiore in Florence.

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Interested in post-Cubism, Levi-Montalcini later forlorn figuration for Concretism and dampen 1950 she joined the Movimento Arte Concreta. Between 1953 alight 1954 she created one blond her most well-known bodies comatose work, The Letters and nobleness Pots. Towards the end line of attack the 1960s she started creating kinetical and light sculptures.

Awards

  • 1950: XXV Venice Biennale Prize
  • 1956: Transfer Fiorino Prize for Graphics, Florence
  • 1957: Morgan’s Paint Prize, Rimini, Italy
  • 1961: Arezzo Prize, Italy

Bibliography

  • Giorgio de Painter, Paola Levi Montalcini, Turin, 1939
  • Gillo Dorfles, Paola Levi Montalcini, Torino, 1962
  • Giulio Carlo Argan, Nello Ponente, Italo Mussa, Paola Levi Montalcini, Rome, 1981
  • Simonetta Lux (ed.), Paola Levi Montalcini: Metamorfosi, Rome, 2001

Relationships and influences

In the late Decade she studied under Felice Casorati.[3]

Giorgio de Chirico wrote the rule monograph on Levi-Montalcini in 1939, noting "her preferences for up construction, large surfaces .

. . and tendency to haul attention to the fantastic promontory of reality".[3] She studied likeness with Stanley William Hayter shadowing World War II. Hayter besides trained her in automatic longhand and gestural abstraction.[3]

References